Open Letter: Give Djurgården all-electric public transport

Öppet brev till Trafiknämnden

Today, the members of the Transport Committee at Stockholm County Council received an open letter asking for all-electric public transport at Djurgården. Royal Djurgården and Fossil-free Sweden are the main drivers, and have put forward a demand to look into the possibility of electric ferries, as well as how the ferry port at Slussen can be made into an important symbol of a sustainable city.

28th June 2018 – Open letter to the Transport Committee at Stockholm County Council

Revamp the Djurgården Ferry and give Royal Djurgården all-electric public transport.

After the summer, there will be a direct tram line between Djurgården and Stockholm city centre. With this, Scandinavia’s #1 attraction, which draws 15 million visitors per year – more than the Great Wall of China and Disneyland Paris – will have a high-capacity, accessible and environmentally-friendly public transport link. We want to give the Djurgården Ferry a boost, too, and in the long run give Djurgården all-electric public transport.

Improvements to the Djurgården ferries are starting to take shape; they now have better accessibility and more modern and environmentally-friendly features. With the new ferry port being built at Slussen, it is of the utmost importance that the ferry route is built with long-term sustainability in mind.

With its unique combination of culture and entertainment, parks and nature, Djurgården can be a leading example for a sustainable Stockholm and a fossil-free Sweden. An important step, therefore, is to make public transport fossil-free and the ferries all-electric.

The Djurgården Ferry turned 120 years old last year, and is probably Sweden’s most famous ferry route – it already takes close to three million passengers to and from Djurgården today. All of the prerequisites for investing in electric ferries are in place; now all we need is a positive decision!

If Sweden is to reach its goal of reducing greenhouse gas emissions from domestic transport by 70% by 2030, we need to use our scarce resources as best we can. The battle for biofuels will increase once lorries, planes, boats etc. begin switching to new fuels. Therefore, it is important that electrical energy is used where possible, and especially in areas and on routes where it can have a real impact.

On ferry routes that are shorter and have a set route, such as the Djurgården Ferry, it is easy to adjust the battery size and charging time. This would have a positive effect on the climate, but also in the local area, as it would reduce emissions and noise levels. Since 2014, electric ferries have been trialled on two routes: between Nybroplan and Kvarnholmen and between Solna Strand and Riddarholmen. The latter has reduced carbon dioxide emissions by 300 tonnes per year and cut operating costs by 40%.

Therefore, we are asking the council to look into electric ferries for Djurgården, as well as how the ferry port at Slussen can become an important symbol for a sustainable city.

Djurgården is Scandinavia’s #1 attraction, which draws 15 million visitors per year – more than the Great Wall of China and Disneyland Paris, for example. The Royal Djurgården Society works with Djurgården’s attractions to reach common goals and preserve and develop Djurgården’s unique features.

Sustainability is at the heart of what we do and a key part of managing visitor numbers. At Djurgården, it is possible for the island’s rich history and modern, environmentally-friendly technological advances to coincide. We want to promote and showcase the ideas that will make Sweden one of the world’s first fossil-free countries, as we did at the Stockholm World Fairs that took place at Djurgården in 1897 and 1930.

Djurgården’s attractions are already in the process of reducing their use of fossil fuels; Skansen’s horse manure is used by Rosendal’s Garden in their biodynamic farming, for example. We welcomed the extension of the tramline from Djurgården to Stockholm’s central station, as well as the county council’s decision to look into the transition to electric buses.

We now have an historic opportunity to take another step towards a more sustainable Stockholm and Djurgården. We urge the county council to seize this unique opportunity to make Djurgården’s public transport all-electric and ensure that the world’s first National City Park is a leading example in sustainable transport.

If you want to read more about our work with sustainability, visit sustainable.royaldjurgarden.se/en

John Brattmyr

Skansen CEO, Chairman for the Royal Djurgården Society

Camilla Zedendahl

Royal Djurgården Society CEO

Svante Axelsson

National coordinator for Fossil-free Sweden

Partnerships for the goals

Royal Djurgården works with other organisations to bring electric public transport to Djurgården (17.17)

 

Climate actionRoyal Djurgården takes a leading role in reducing CO2 emissions from public transport (13.2)

 

Sustainable cities and communities

Royal Djurgården works with others to reduce the city’s environmental impact (11.6)

 

Industry, innovation and infrastructure

Royal Djurgården works with others to build a sustainable infrastructure (9.4)

Liljevalchs welcomes you to the world of Lars Lerin

Welcome to Lars Lerin’s pictorial world, created from water and pigment. This summer of 2018, Liljevalchs will display hundreds of paintings from Lerin’s 2002–2018 period. The rugged landscape of Lofoten or the ruins of Syria, a pillar-like birch forest or lines of files on archive shelves – Lerin reincarnates powerful visual impressions via his inimitable technique.

In recent years Lars Lerin has cemented his position as one of Sweden’s most loved artists. People queue for hours to see his exhibitions and the television and radio programmes he participates in attract millions of viewers. We feel that we know him; his openness gives voice to our own shyness.

Lerin, however, is not only a very popular and folksy guy from Värmland, he is a passionate, obsessed and serious artist. Widely regarded as the premier watercolourist of the Nordic region, he also works with graphic art and photography as well as text.

“Lars Lerin’s watercolours and Liljevalchs’ beautiful galleries are the perfect combination. The importance and greatness of his art will be supremely evident to all and sundry, were it not so already. It’s as if Lerin has come home,” an emotional Mårten Castenfors, Director of Liljevalchs, explains.

Lars Lerin was born in 1954 in Munkfors, Värmland where he grew up. He received his artistic training at Valand Academy in Gothenburg. Currently he lives in Hammarö, outside Karlstad. Karlstad is also the location of the museum Sandgrund Lars Lerin, inaugurated in 2012, which houses a permanent exhibition of his works.

In addition to holding exhibitions at galleries and museums in Sweden, the Nordic countries, France, Germany and the United States, Lars Lerin has published some 30 books in which he speaks of meetings and environments from his many travels and of life at home.

“Lars Lerin is a thematician. It is easy to follow his biographical journey through his motifs: Värmland, Lofoten, Egypt and Syria,” Mårten Castenfors writes in the extensive foreword to the exhibition catalogue.“The exhibition at Liljevalchs is an attempt to concentrate on that which testifies to his passion. What we have looked for is his obsessiveness, which, noticeably often, finds its form in mellow moods, which, however, should not be personified. Lerin may paint darkly but when he paints he is not sad, but rather happy.”

The catalogue boasts reproductions of over 200 paintings and sketches, in addition to Mattias Lindbäck’s richly detailed photographic portraits from the artist’s studio.

Captivated by Lars Lerin’s pictorial world, this year’s Tranströmer Prize winner, poet Eva Runefelt contributes 22 newly written poems to the exhibition catalogue, to be enjoyed independently or in dialogue with the paintings.

“Eva Runefelt is a poet who embodies the written word, who is in language, or rather, who is language, in the same way Lerin is in his material. They are so different, but so alike in their obsession and responsive search for the exact formulation, in words or in images,” Mårten Castenfors concludes.

Opening hours during the exhibition period: Monday–Thursday 10.00–18.00, Friday-Sunday 11.00–17.00. Entrance fee: SEK 80, free entry for under 18s. Free entry for all on Mondays.

Photo: Mattias Lindbäck